By Ray Siemens, Susan Schreibman
This Companion bargains an intensive exam of the way new applied sciences are altering the character of literary reviews, from scholarly enhancing and literary feedback, to interactive fiction and immersive environments.
- A entire review exploring the applying of computing in literary stories
- Includes the seminal writings from the sphere
- Focuses on equipment and views, new genres, formatting matters, and top practices for electronic renovation
- Explores the recent genres of hypertext literature, installations, gaming, and internet blogs
- The Appendix serves as an annotated bibliography
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Extra resources for A Companion to Digital Literary Studies
J. (1997). ’’ In R. J. Deibert, Parchment, Printing, and Hypermedia: Communication in World Order Transformation. New York: Columbia University Press, pp. 17–44. Derrida, J. (1976). Of Grammatology (G. C. ). Baltimore: Johns Hopkins University Press (Original work published 1967). 23 —— (1981). Positions (A. ). Chicago: University of Chicago Press (Original work published 1972). , and J. ). ’’ Institute for Advanced Technology in the Humanities, University of Virginia. html>. Accessed September 9, 2006.
Critical Theory since Plato, 3rd edn. Belmont, CA: Thomson Wadsworth, pp. 36–8. Schumpeter, J. A. (1942). Capitalism, Socialism and Democracy. Rpt. New York: Harper and Row, 1975. St. Clair, William (2004). The Reading Nation in the Romantic Period. Cambridge: Cambridge University Press. 2013 1:41pm Compositor Name: ARaju Imagining the New Media Encounter Warner, W. B. (2005). ’’ ELH 72: 339–61. Williams, R. (1977). Marxism and Literature. New York: Oxford University Press. 25 Yates, J. (1989).
These questions also have no easy answer. I wrote a whole book recently that started out by aiming for an answer, only to be diverted into studying the proto-aesthetic of information ‘‘cool’’ from which, I hypothesized, any understanding of information answerable to my old love, literature, must eventually come. In lieu of an answer, let me here conclude simply by being clear about the immense stakes involved in the mission of the present volume, which, as I suggested, is not just to narrate but to prepare to imagine.