By Nicolas Slonimsky, Laura Diane Kuhn
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Extra info for Baker's Biographical Dictionary of Musicians, Vol. 2
After serving as head of the music dept at St. Anthony's Coll. (1934-36) and Queen's Hall School (1936-37) in Vancouver, she was a lecturer (1947-57) and senior instructor (1957-73) in composition at the Univ. of British Columbia. In 1978 she was named an Officer of the Order of Canada. Coulthard's well- crafted works follow along traditional lines. WORKS: DRAMATIC: Excursion, ballet (1940); The Return of the Native, opera (1956-79); The Deoil's Fanfare, ballet (1958). 2, This Land, choral sym.
Opera companies and in Europe. Y. and at the Univ. of Md. Among his best roles were Rossini's Figaro, Lescaut, Germont, Marcello, Rigoletto, and Dr. -NSILKIDM Cossira (real name, Coussival), Emil, French tenor; b. Orthez, 1854; d. Quebec, Feb. 1923. After training in Bordeaux, he made his operatic debut as Gretry's Richard Coeur de Leon at the Paris OperaComique in 1883, where he was chosen to create the title role in Saint-Saens's Ascanio (March 21, 1890). In 1891, 1894, and 1900 he appeared at London's Covent Garden, where he sang Faust, Romeo, Raoul, and Don Jose.
More than half of his creative life was taken up with the religious compositions of the first 2 periods. These include Pieces d'orgueconsistantes en deux Messes (1690; 42 pieces), formerly attributed to his uncle Francois, and, indeed, pub!. under the latter's name in Vo!. five c:0' of Archives des maiires de l'orgue, ed. by Guilmant, but now established, through the researches of A. Tessier and P. Brunold, as the early work of Couperin Ie Grand; motets; Elevations; Lecons de tenebres; etc. Couperin's last and most prolific period was concerned exclusively with instrumental works, and in this field he achieved his greatest and most enduring distinction.