By Angus J. Kennedy
Martin Le Franc's prediction in Le Champion des dames (c. 1440) that Christine de Pizan's identify might suffer for ever is borne out within the present awesome trend of curiosity in Christine as France's first specialist girl author (c. 1364-c. 1431). complement II, development at the volumes released through Kennedy in 1984 (502 goods) and 1994 (391 items), covers the best interval so far of scholarship on her paintings: 1991-2002 (1255 items). the current paintings is made of six chapters: Bibliographies and Manuscript Catalogues; common Surveys of Christine de Pizan's lifestyles and Works; experiences of particular subject matters (Manuscripts, Miniatures and Manuscript Illumination; Christine de Pizan, England, Spain, and Portugal; Christine de Pizan and Italy; Feminism and similar themes; Humanism; Political, Social, and academic subject matters; The courtroom of affection 1400/01; Poetic subject matters and shape; Language; Musical Settings; Miscelleaneous); Anthologies, decisions, and picked up severe stories; person Works: Manuscripts, versions, Translations, and demanding stories; stories of things indexed within the 1994 quantity. The Indexes are actually cumulative, overlaying all 3 volumes released so far. This analytical bibliography will supply a different interdisciplinary source to all students operating within the box of late-mediaeval studies.ANGUS J. KENNEDY is Stevenson Professor of French on the collage of Glasgow.
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Additional resources for Christine de Pizan: A Bibliographical Guide: Supplement 2
The Confident Amazon: Warrior-Women in the Collected Works of Christine de Pizan known as the Harley 4431’, MA thesis, Univ. of North Texas, 1995, 124pp. MAI, 34/01 (1996), 78. On the relationship between text and images concerning Amazons, with comparisons to other representations of Amazons/warrior-women. 1094 Blumenfeld-Kosinski, Renate. ‘Das Konzept von Frau und Mann bei Hildegard von Bingen und Christine de Pizan’, in Tiefe des Gotteswissens: Schönheit des Sprachgestalt bei Hildegard von Bingen (Internationales Symposium in der Katholischen Akademie Rabanus Maurus, Wiesbaden-Naurod vom 9.
1 Keith Busby & William J. Courtenay, Spec, 77 (2002), 1388–90. 991 Beys, Béatrice. ‘Images de la reine de France dans les scènes de dédicace du début du XVe siècle au début du XVIe siècle’, in Reines et princesses, I, 1515, pp. 127–37. Discusses (pp. 127–28) CP’s presentation of her collected works to Isabeau de Bavière (illustration from Harley 4431, f. 3, reproduced p. 134). 992 Desmond, Marilynn, & Pamela Sheingorn. ‘Queering Ovidian Myth: Bestiality and Desire in Christine de Pizan’s Epistre Othea’, in Queering the Middle Ages, ed.
269–303. Refers (p. 284) to Elizabeth Woodville’s presumed ownership of Harley 4431. 1017 Jambeck, Karen K. ‘The Library of Alice Chaucer, Duchess of Suffolk: A Fifteenth-Century Owner of a Boke of “le Citee de Dames” ’, The Profane Arts, 7 (1998), 106–35. Excellent detective work on the library of Alice Chaucer, grand-daughter of Geoffrey, a notable figure in her own right, and a capable administrator and landowner. On Alice Chaucer, see also Meale, 1002; McCash 1007; and the following (in chronological order): Carole A.