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By Joseph R. Strayer

Dictionary of the center a while, Vol. thirteen: Index

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9. 2. 92. 3. Hausman, Discourse on Novelty. 32 Achieving Extraordinary Ends 4. Ibid. 5. W. 402. 6. Many modern composers have deliberately introduced a greater degree of indeterminacy into their compositions, however, from the filling in of sections and the choosing of the order of execution in an otherwise fairly well specified score (eg. " 7. Kuhn, Structure of Scientific Revolutions. 8. Jagdish Hattiangadi, ''The Vanishing Context of Discovery," in T. , Scientific Discovery, Logic, and Rationality (Dordrecht: D.

This analysis can also provide an explanation for the phenomenon of works of art which are not appreciated during the period in which they are created, but only later. Such works are likely shaped by factors which are beginning to influence change in art and society and are created by artists who are particularly sensitive to such factors. There is not yet sufficient distance and perspective for the significance of the innovations to be appreciated, however. Moreover, such changes would not have pervaded the society to an extent sufficient to allow for acceptance of the innovations by the contemporary audience.

At this point, then, let us begin to explore some of these other factors which also affect and playa role in how we value art. One of these factors is the state of technology, both that which is directly related to the art, and that of the society in general. The vision that an artist has and the work that is produced are very Value 41 much products of the technology which is available as a means of expression. Gombrich makes this point effectively: The artist, clearly, can render only what his tools and his medium are capable of rendering.

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