By Jane Smiley
No 1 nationwide BESTSELLER a brand new YORK instances impressive BOOK
"A clever, lively NOVEL . . . [IN WHICH] SMILEY PLUMBS THE WONDROUSLY
STRANGE international OF HORSE RACING." --People
"ONE OF THE most appropriate NOVELISTS OF HER new release, possessed of a mastery
of craft and an uncompromising imaginative and prescient that develop extra robust with each
book . . . Racing's eclectic mixture of periods and personalities provides
Smiley with fertile soil . . . Expertly juggling storylines, she
investigates the sexual, social, mental, and non secular problems
of prosperous vendors, working-class bettors, running shoes at the aspect of
financial spoil, and, in a as a rule daring circulate, horses."
--The Washington Post
"A NOVEL OF ardour IN each feel . . . [SHE DOES] all of it WITH APLOMB .
. . WITH A DEMON NARRATIVE INTELLIGENCE."
--The Boston Sunday Globe
"WITTY, vigorous . . . It's deeply gratifying to learn a piece of fiction
so educated approximately its topic and so alive to each nuance and aspect .
. . [Smiley's] ultimate chapters have an excellent restorative quality."
--The long island occasions ebook Review
"RICHLY exact, INGENIOUSLY built . . . you'll enjoy JANE
SMILEY'S HORSE HEAVEN."
--San Diego Union-Tribune
Chosen through the la instances as the best Books of the 12 months
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Additional resources for Horse Heaven
36 John Alfred Avant, “An Interview with Joyce Carol Oates” in Milazzo 29. 37 Phillips 81. 38 Oates, “Transformation of Self,” 53. 39 Joyce Carol Oates, “JCO” and I (Concord: William B Ewert, 1994). 40 Phillips 65. 41 So far the following novels have appeared under pseudonym: Lives of the Twins (87), Soul/Mate (89), Nemesis (90), Snake Eyes (92), You Can’t Catch Me (95) and Double Delight (98). 42 Fernandes/Joyce Carol Oates, The Poisoned Kiss and Other Stories from the Portuguese (Greenwich: Fawcett, 1975).
These are the very issues addressed in the first section of this chapter: theories of intertextuality; the role of reading and reader response; the relationship of American women writers to the literary tradition, not only the male Eurocentered but also the American canon; finally, the revisionary movement in the 70’s. A second section will more specifically discuss and exemplify Oatesean intertextuality with particular references to titles, biography/autobiography and genre. Theories of Intertextuality Traditionally there has been great emphasis on originality in literary works.
These are rites that have lived on in pastoral scenes depicted in art, in pastoral plays, and in our celebration of Midsummer in Sweden. In some of these festivals a real or mock wedding took place. Diana, the goddess of woods, beasts, hunting, fertility, for instance, had her nuptials re-celebrated every year, either by images or by living persons re-enacting the ceremony (Frazer 140-142). Frey is mentioned as a Swedish god of fertility whose image was annually “drawn about the country in a waggon attended by a beautiful girl who was called the god’s wife” and who acted as his priestess at the Uppsala temple (143).