By Tomiko Yoda, Harry Harootunian
Several of the essayists consider the politics of historical past, contemplating adjustments within the dating among Japan and the USA, the advanced legacy of jap colonialism, Japan’s continual unease with its wartime background, and the postwar consolidation of an ethnocentric and racist nationalism. Others research anxieties regarding the position of youngsters in society and the weakening of the gendered divide among office and residential. Turning to pop culture, participants scrutinize the avid intake of “real occasions” in codecs together with police indicates, quiz indicates, and stay internet digicam feeds; the production, distribution, and reception of Pokémon, the game-based franchise that grew to become a world cultural phenomenon; and the ways in which the habit of zealous enthusiasts of anime both reinforces and clashes with company pursuits. targeting modern social and political events, one essay relates how an area electorate’ staff pressed the japanese executive to show a global exposition, the Aichi Expo 2005, right into a extra environmentally awake undertaking. one other essay bargains either a survey of rising political hobbies and a manifesto opting for new chances for radical politics in Japan. jointly the participants to Japan After Japan current much-needed perception into the wide-ranging differences of jap society that begun within the 1990s.
Contributors. Anne Allison, Andrea G. Arai, Eric Cazdyn, Leo Ching, Harry Harootunian, Marilyn Ivy, Sabu Kohso, J. Victor Koschmann, Thomas LaMarre, Masao Miyoshi, Yutaka Nagahara, Naoki Sakai, Tomiko Yoda, Yoshimi Shunya, Mitsuhiro Yoshimoto
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Extra resources for Japan After Japan: Social and Cultural Life from the Recessionary 1990s to the Present
All in all, a critical factor driving the fracture within the Japanese political structure is the totality of forces aimed at reconﬁguring the state and its function so that its military, legal, and political apparatuses respond better to the needs of the most powerful and competitive multinational corporations currently based in Japan. One of the most urgent problems facing Japanese society, then, is not the dilemma between the nation-state and global capital, but the changing relations between the ‘‘nation’’ and the ‘‘state’’ under the new demands of capitalism in its global conﬁguration.
This was the social integrity, above all, of mass competition, allegedly an inclusive and homogeneous space that sustains a high level of competitive pressure, 40 tomiko yoda constituted of diﬀerentiating as well as equalizing forces. This paradoxical space of enterprise society supported the illusory national frame of Postmodern Japan mentioned earlier, simultaneously appropriating and eroding the institutional and ideological bases of national sociocultural order. By reducing the complexity of this hybrid formation to the anachronistic remnants of the national imaginary and collectivism, Miyadai and Murakami misrepresented the late capitalist logic governing it.
For one, it was widely seen as a sign of the dramatic metamorphosis a roadmap to millennial japan 33 of the nation’s world-historical status and thus the narrative of world history itself. For over a century the ruling elites of Japan, the nation reputed to be the most successful latecomer to modernity, had been intensely selfconscious about their relation to the West, measuring themselves against the time lag to the dominant Other. Japan’s establishment as an economic superpower, superseding the majority of Western nations in the contest of capital accumulation, therefore, unleashed a powerful sense that Japan had ﬁnally reached its ultimate national aspiration by not only completing but also going beyond modernization, becoming freed from the historical scenario of modernity that had consistently precluded it from a full-ﬂedged subject position and historical agency.