By Eckart Altenmüller, Stanley Finger MD, Francois Boller
Music, Neurology, and Neuroscience: ancient Connections and views provides a large and complete dialogue of historical past and new discoveries relating to track and the mind, providing a multidisciplinary evaluation on tune processing, its results on mind plasticity, and the therapeutic energy of tune in neurological and psychiatric issues.
In this context, the issues that plagued recognized musicians and the way they affected either functionality and composition are seriously mentioned, as is tune as medication and its capability health and wellbeing risk.
Additional issues, together with the best way track matches into early conceptions of localization of functionality within the mind, its cultural roots in evolution, and its vital roles in societies and academic structures also are explored.
- Examines song and the mind either traditionally and within the gentle of the most recent learn findings
- The greatest and such a lot finished quantity on "music and neurology" ever written
- Written through a special staff of genuine international specialists representing various fields, starting from heritage of technology and medication, to neurology and musicology
- Includes a dialogue of how tune has cultural roots in evolution and its vital function in societies
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Additional resources for Music, neurology, and neuroscience : historical connections and perspectives
J. Hist. Neurosci. 21, 1–16. , 1992. Gall’s psychophysiological concept of function: the rise and decline of “internal essence” Brain Cogn. 20, 378–398. , 1901a. The Mental Functions of the Brain. G. P. Putnam’s Sons, New York, NY. , 1901b. The Revival of Phrenology. Ch. 10: Opposition to Phrenolopgy. G. P. Putnam’s Sons, New York, NY, pp. 399–439. , 1909. The Unknown Life and Works of Dr. Francis Joseph Gall; and Inaugural Address Delivered before the “Gall Society” Seigle Hill & Company, London.
Wallaschek (1891b) used Knoblauch’s term “amusia,” and was the only scholar with a background in psychology and musicology to contribute to the discussion among neurologists about classifications of different amusia syndromes. This unique perspective among psychologists and musicologists led to unique speculation about mental representation for music. Case studies suggested that a particular type of amusia could impair one music ability yet leave other abilities intact, and these studies suggested different ways of processing music.
6, 128–132. , 1995. Localization of brain function: the legacy of Franz Joseph Gall (1758–1828). Annu. Rev. Neurosci. 18, 359–383. CHAPTER Music, neurology, and psychology in the nineteenth century 2 Amy B. Graziano*,1, Julene K. edu Abstract This chapter examines connections between research in music, neurology, and psychology during the late-nineteenth century. Researchers in all three disciplines investigated how music is processed by the brain. Psychologists and comparative musicologists, such as Carl Stumpf, thought in terms of multiple levels of sensory processing and mental representation.