By Paul Breslin
Nobody's country deals an illuminating examine the St. Lucian, Nobel-Prize-winning author, Derek Walcott, and grounds his paintings firmly within the context of West Indian historical past. Paul Breslin argues that Walcott's poems and performs are certain up with an attempt to re-imagine West Indian society given that its emergence from colonial rule, its ill-fated test at political team spirit, and its next dispersal into tiny nation-states.According to Breslin, Walcott's paintings is centrally excited about the West Indies' imputed absence from historical past and absence of cohesive nationwide identification or cultural culture. Walcott sees this lack no longer as impoverishment yet as an open house for production. In his poems and performs, West Indian background turns into a realm of necessity, anything to be faced, contested, and remade via literature. what's such a lot vexed and encouraged in Walcott's paintings will be traced to this quixotic struggle.Linking wide archival study and new interviews with Walcott himself to specific serious readings of significant works, Nobody's kingdom will take its position because the definitive research of the poet.
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Additional resources for Nobody's Nation: Reading Derek Walcott
At the end of 1976, Walcott ﬁnally did resign from the Workshop, under circumstances hinted at in the veiled autobiographical plot of “The Schooner Flight,” which he began writing shortly afterward. Walcott was openly conducting an affair with Norline Me´tevier, a dancer in the company who would later become his third wife. The company split between those who sympathized with Margaret and those who condoned the affair. After 1976, Walcott continued to live in Trinidad, but he began spending more time than previously in the United States.
He notes that “the West Indian mind, because of its past, is helplessly schizophrenic. It rejects Africa, India, or China at its own convenience. ” And yet Schizoids, in a perverse way, have more personality than the “normal” person, and it is this conﬂict of our racial psyche that by irritation and a sense of loss continues to create artists, most of whom have chosen exile. Biographical Sketch 37 More than Ireland, even, we are deprived of what we cannot remember, or what, when we visit its origins[,] never existed the way we imagined.
Naipaul, E. M. Roach, Wilson Harris, and Martin Carter. ” 82 The novelists, in short, were more mature than the writers of poetry and drama, the genres in which Walcott himself had ambitions. Walcott’s literary reputation had already reached beyond the West Indies before his move to Trinidad in 1958. 83 But for the most part, the poems appeared in regionallybased journals such as Public Opinion, Caribbean Quarterly, and Bim, while such early plays as The Sea at Dauphin, Ione, Ti-Jean and His Brothers, and Malcochon were published by the Extra-Mural Department of the University of the West Indies, either at Mona or at the new St.