By Jarom McDonald
This learn examines the ways in which F. Scott Fitzgerald portrayed prepared spectator activities as operating to aid constitution ideologies of sophistication, group, and nationhood. Situating the research within the panorama of past due nineteenth/early twentieth-century American recreation tradition, bankruptcy One exhibits how narratives of attending ballgames, interpreting or hearing activities media, and being a ‘fan,’ domesticate groups of spectatorship. Adopting this related framework, the subsequent 3 chapters discover how Fitzgerald’s literary representations of activity tradition convey the complexities of yankee society. bankruptcy particularly considers the ‘intense and dramatic spectacle’ of school soccer in ‘This facet of Paradise’ as a method of exploring hyperlinks among spectatorship, emulation and beliefs. bankruptcy 3 maintains with university soccer as its subject matter, yet this time seems at the way it is portrayed in Fitzgerald’s brief tales, with a purpose to scrutinize the connection among the performative features of activity and the performative facets of social category. eventually, bankruptcy 4 scrutinizes how the nice Gatsby reviews the romantic nationalist ideology of ‘America’s online game’ via revealing the category divisions and tensions of baseball’s spectator tradition.
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Extra info for Sports, Narrative, and Nation in the Fiction of F. Scott Fitzgerald (Studies in Major Literary Authors)
It is the human cry of spirits in bondage, of souls in despair, of lives debased and doomed. It is the call of man to his brother . . such is your vocation; follow the voice that calls you in the name of God and of man. The time is short, the opportunity is great; therefore, crowd the hours with the best that is in you. (qtd. in Brooks 4) 42 Sports, Narrative, and Nation in the Fiction of F. Scott Fitzgerald There are, of course, unstated repercussions bound up in this metaphor. Most significantly, by invoking images of a Galahad Knight through utilizing the concept of chivalry, Hibben implicates his University in a feudal-like system.
The failure of a culture within the walls? Who knows? It became . . the most intense and dramatic spectacle since the Olympic games. (94) 44 Sports, Narrative, and Nation in the Fiction of F. Scott Fitzgerald Encapsulated in Fitzgerald’s language about football at Princeton is a recognition that the “intense and dramatic spectacle” of football is not analogous to a myth or vision of American charm. Instead, he questions to what degree football might represent a “failure,” specifically the failure of a culture.
Grange was, with the exception perhaps of Babe Ruth, the preeminent name in spectator sports during the 1920s. The facts surrounding his success on the gridiron are prolifically documented; he accumulated over 3,600 yards running and 31 touchdowns in only 3 years of college, and proportional statistics during his nine-year professional career. ” The narrative of his life, as it has evolved through various textual representations, attempts to portray Grange as the figure of a common American athlete who is able to embody ideals of opportunity and individualism on his road to football greatness.