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By Kenyon S.J.

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May moved a low-cut span- TEN SECOND STAIRC ASE 25 gled trapeze dress from a swivel chair and hid it. Lately, Sergeant Longbright’s obsession with stars of the 1950s had reached epic proportions. ’ Jungle Red Nail Varnish priced 2/11d, and set it back in place. She had forgotten just how odd everyone was here. ‘To begin with. ’ ‘There are eight of us if you count Raymond Land, but he’s not often here. Spends most of his time creeping around to his officer pals at the Met. Now that we’re under the jurisdiction of the Home Office, we’re waiting for a visit from their new man.

I heard a noise and started walking back. ’ ‘Like someone messing with an exhibit. ’ ‘Yes, sir. Three of the most controversial artists, a chance for them to answer their critics. ’ Bryant looked for a place to throw the rest of his sandwich and momentarily considered adding it to a bronze sculpture of objets trouvés. ’ ‘That’s right. ’ A week earlier, Channel 4 had broadcast an inflammatory programme about the new owner of 40 CHRISTOPHER FOWLER the former Saatchi gallery, implying that he was merely a showman and self-publicist, attempting to ape his predecessor by commissioning outrageous works of art at inflated fees.

Here also were housed Salvador Dalí’s melting clocks and arid landscapes in permanent exhibition; his great elephant sculpture is placed on the embankment, teetering on attenuated giraffe legs, where it appears to stride over Parliament itself, surely a vision that would once have brought a charge of treason. In the front of the building (for the river faces its back) the former Charles Saatchi collection of modern British art, now the County Hall Gallery, awaits visitors, who balk and complain at the idea of paying to see ideas made flesh, especially when there’s nothing traditional on display.

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